It felt like a kiss: Bunting on Curtis

Now Bunting is describing a theatrical performance. Launches tomorrow in Manchester as part of the festival. Can't wait.

His [Curtis'] analysis is that power uses stories which shape our understanding of the world and of who we are, and how we make sense and order experience. Powerful, grand narratives legitimise power, win our allegiance and frame our private understandings of how to measure value and create meaning. They also structure time – they fit the present into a continuum of how the past will become the future. This is what all the grand narratives of communism, socialism, even neoliberalism and fascism offered; as did the grand narratives of religion. Now, all have foundered and fragmented into a mosaic of millions of personal stories. It is a Tower of Babel in which we have lost the capacity to generate the common narratives – of idealism, morality and hope such as Sandel talks about – that might bring about civic renewal and a reinvigorated political purpose.

Curtis argues that we are still enchanted by the possibilities of our personal narratives although they leave us isolated, disconnected, and at their worst, they are simply solipsistic performances desperate for an audience. But we are in a bizarre hiatus because the economic systems that sustained and amplified this model of individualism have collapsed. It was cheap credit and a housing boom that made possible the private pursuit of experience, self-expression and self-gratification as the content of a good life. As this disintegrates and youth unemployment soars, this good life will be a cruel myth.

But is it true? It Felt Like a Kiss.