“I don’t have time to write, so I write books with fragrance,” said Ghislaine. “Fragrance is my ink.”
From Fashion Wire Daily.
A conversation about journalism, the internet, media, trust, truth, libraries & archives, social networks
& publishing, and the democratisation of doubt - with occasional photographs and a nod to cinema.
“I don’t have time to write, so I write books with fragrance,” said Ghislaine. “Fragrance is my ink.”
“The democratisation of the BlackBerry (and the even earlier adoption of the all-tech iPod by the masses and not just the elite) leaves the posing class with nowhere to go except ‘by hand’. I travelled across Europe with Moleskines because sometimes sitting at a café, even with a shiny silver Mac, isn’t enough; you still look like an accountant. Also, writing by hand makes for such concentration of thought.”
The value of books sold on the high street fell 12.7pc in the week to December 6 against the same period a year earlier. That compared to a 6.9pc decline in the UK market as a whole, according to figures from Nielsen, the research company.
For any reader left feeling they didn't do enough shopping before Christmas, help is at hand from Nintendo, which is preparing to launch a library of 100 classic books for its handheld games console on Boxing Day.
But print weeklies are looking doomed without my hex. Newsweek is cutting staff and circulation. I got a Time this week and it was so thin I could have used its spine as a razor. U.S. News is essentially no longer. Business Week is struggling. TV Guide is walking dead. Even mighty People was down last year. Weekly is weakly.
...A site dedicated to the spam and scams sent to Madame Arcati (and everyone else) - no matter how ridiculous, fraudulent or outrageous the claims on Arcati's sympathy or greed, all spam received will be showcased here.
...Seven of the ten – bailout, vet, socialism, maverick, rogue, misogyny, and bipartisan – have political associations.
The other three - turmoil, trepidation, and precipice –have appreared frequently this year in discussions of the stock market and the economy.
Now Ms. Garber singles out a new aspect of Shakespeare’s versatility. As her latest title indicates, she is out to assert that “Shakespeare makes modern culture, and modern culture makes Shakespeare.” In true academic fashion Ms. Garber loves that kind of commutative construction, the chiasmus. Shakespeare loved this too, and Ms. Garber has the chiasmi to prove it, straight from the source. (“What’s Hecuba to him, or he to Hecuba?,” “Fair is foul and foul is fair,” etc.) She is happy to compound her book’s facile inversions by calling her method, at one point, “as much pedagogical as heuristic (and as much heuristic as pedagogical.)”
...And he played the game. You could call it solace: a way to fill the emptiness of failure with the curiously convincing sense of purpose that comes from steadily amassing a make-believe digital fortune in magic staves and platinum coins. But in time it would be more than that. Much more. Soon enough, amid the daily grind of his obsession, he would see in the game itself a way out of the bleak hole he had fallen into. He would take a clear-eyed, calculating look at what he and his fellow players had been doing all those months—at the countless hours they'd given over to the pursuit of purely virtual but implacably scarce commodities—and he would recognize it not just for the underexploited form of productivity it was but for the highly profitable commercial enterprise it might sustain. He would spend the next half decade bringing that business to life. And though some people would hate what he was building, and others would want to take it all away from him, there would come a day when Pierce, eight years older, could look back on an accomplishment that was bigger than he had ever envisioned—and stranger than he would ever comprehend.
Tumblr is exactly the kind of startup that’s supposed to be gasping for air in today’s dismal economy: A trendy but niche Web service with a prominent founder and exactly zero revenue.
Instead, the New York-based company has just raised a $4.5 million Series B round that its CEO, 22-year-old David Karp, says will fund it for two and a half years.
Is it the case that government - and democracy - suffers because it it described by bureaucrats rather than it’s users? Is there a case that ‘Open Government’ would be better served by employing a trusted third-party mediator (with a ‘public service’ remit) and asking them to describe government for the rest of us?
iplayer
iphone
youtube
yahoo mail
large hadron collider
obama
friv
cam4
jogos
...the report points out, "companies that selfishly blog about their products [are reinforcing] the idea that blogs can't be trusted." In other words, 84% of corporate blogs today probably suck.
What's driving this prevailing consumer distrust? It can be many things, from pressure within an organization to make sure that a blog is "branded" enough in what it talks about, to inexperience of a random member of the marketing team charged with launching a blog but without a strategy in mind for how to make it something compelling. Usually, the deficiency comes down to content. Launching a blog with nothing to say is like paying for a blank magazine ad ... sure you own the space, but you've done nothing with it.
In the crowded Babel of the “information-rich” society, the key is the building and preservation of trust. That point is hardly original. But I’d like to underline the connection between plurality and trust. It’s good to go back to first principles and one of the best questions being asked and answered here was: what value does journalism add? The common denominator in the answers was that reliable information helps voters.
If a society is open and free, there will be no Great Editor in the Sky to settle the question of what or who does that best. A truly plural society will see a competition to establish trust. Someone spoke of the need for a gold standard. In an open society, the gold may mix with dross and people will argue about which is which. Journalism will be an alloy.
The thoughts of the various international editors, journalists, academics, experts and officials from government and other organisations were expressed under Chatham House rules.
People don't really know how this is going to work," says Nicholas Economides, a professor of economics at New York University's Stern School of Business. Companies are trying many different approaches, but he says that a solid business model for social networking has yet to emerge. "There's no formula for success," he says. Even Twitter, for all its notoriety, has virtually no revenues.
INTERVIEWER
What are some of your writing habits? Do you use a desk? Do you write on a machine?
CAPOTE
I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping. As the afternoon wears on, I shift from coffee to mint tea to sherry to martinis. No, I don't use a typewriter. Not in the beginning. I write my first version in longhand (pencil). Then I do a complete revision, also in longhand. Essentially I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon. Obsessions of this sort, and the time I take over them, irritate me beyond endurance.
The Paris Review, Issue 16, 1957
"Honestly, I still can't wait to get my pants on in the morning," Friedman said. He wakes early, then exercises on a stationary bike, and if he has a column in the paper that day he'll read it through online two or three times, asking himself, "Did I get it right?" On weekdays, he'll head into D.C. for a seven-thirty breakfast meeting, which is sometimes followed by an eight-thirty breakfast meeting. The Times has a floor and a half of a building a few blocks north of the White House, and three of the four Op-Ed columnists who are based in Washington--Friedman, David Brooks, and Maureen Dowd, whom Friedman calls his closest friend on the paper--have offices at one end of an open-plan news floor. "I see him every few weeks or months, passing through on his way to Fez," Dowd recently said. Friedman's large corner office has windows that are oddly small and high, leaving wide areas of wall space. He has hung a poster of a three-masted sailing ship tipping off the edge of a flat world, which he bought long before he wrote "The World Is Flat"--attracted, in part, by the title, which is "I Told You So."
The New Yorker, November 10, 2008
Chris Satullo, a columnist for the Philadelphia Inquirer, wrote a poignant farewell column this weekend. He’s leaving the paper to work for the public station, WHYY.I leave a business that seems to have lost both the will and the way to support the craft of journalism it once burnished to a fine sheen.
It’s a business that, in its pig-headed insularity, authored some of its own woes - but now is being swept helplessly along by the cascading changes of a Gutenberg moment. The Internet is changing our world as definitively as the printing press changed Europe - and more rapidly.
In my time, newspapers - and the journalists who worked for them - have made some mistakes. We embraced a priestly elitism, failing to explain ourselves clearly to readers or to confess frankly our mistakes of judgment. We were slow to respond when people, money and power flowed to the suburbs, slow to grasp the game-changing implications of the Web (though catching up now).
We screwed up plenty. At the same time, though, we did some splendid, useful things for the Republic.
That’s the pesky paradox of it: While we could at times be as arrogant as our critics claimed, we were more ethical and adept than they would ever admit.
In 2002, 12.8m national newspapers were sold daily on average in the UK. This year it was fewer than 11m and in 2013 it will be slightly above 9m, according to Enders Analysis, the media research specialist.
The Center for Future Storytelling will be co-directed by three Media Lab principal investigators: V. Michael Bove Jr., an expert in object-based media and interactive television; LG Associate Professor Cynthia Breazeal, a leader in the field of personal robots and human-robot interaction; and Associate Professor Ramesh Raskar, a pioneer in the development of new imaging, display and performance-capture technologies.
The Chicago Tribune is now reading Chapter Eleven
Jeff thinks he knows everything, but Roy knows better
Roger believes that bloggers should always be topless
Paul is happy to be reciting that monologue again
Ian is wondering if he will always be known for Wallcharts
Stephen has started the hat diet
Guido thinks he might be going soft
Sir Michael has been soft for a long time
Charles has commented on Jonathan and Russell again
Charles is now a fan of YouTube
Sam is now writing The Forty Six Steps
Charles has removed television from his list of interests
Roger Commented on Marina's new photo
Catherine joined the group I'm Feeling Hateful Again
Simon cannot believe that Franz Ferdinand has been shot
Roger and John and Simon are now friends with Paul, but Paul thinks they're all monologues
Henry has re-joined MI6
Nick is wondering why the world is so flat and has concluded that it is all the fault of PR
Robert is still a fan of his friend's books
Rod is thanking his lucky stars that despite the credit crunch there still is money to be made from fraying Victorian hemp
Richard is in Florida
Richard has added England to places he'd like to visit
Michael commented on David's new play
David is now online
David is now writing a play about the failure of the internet to bring about democracy
David is looking forward to the first night of his new play, Only Connect
Michael commented on David's new new play
Dylan is worried about the credit crunch
Robert is blogging
Roland is now friends with Robert
Peter is now friends with Robert and Roland and George
The Indy has joined the group Save the Chicago Tribune
Jeremy is still offline
Simon added Lohengrin to his Music I Like
Mark has joined the group I Love I-Player
Piers poked Simon
Simon poked Piers
Lionel is now friends with James and Rupert
Marjorie is frankly confused
The London Newspaper is thinking WHAT ON EARTH ARE THEY TALKING ABOUT?
The Guardian has moved
The national flow of news is vital but on this blog I just want to concentrate for a moment on the horror of a local life without a decent paper. A good local paper should be one where you can find the second hand pram, see a pic of your grandparents celebrating their golden wedding, find out why Bank St has been shut by road works for a millenium, read about councillors’ expenses and find out who’s campaigning on what. You should be able to get good information about the council’s programmes, police activity, local schools and local characters.
Lynch mob justice, even when well meaning, can inflict collateral damage and occasionally pick the wrong targets leading to significant damage with little recourse.
Some have equated these types of actions with a Neighborhood Watch program - good intentioned folks driving off negative influences. But the key difference is the lack of legal authority and due process.
A good idea is always simple: how much of a letter can be removed while maintaining the readability? After extensive testing with all kinds of shapes the best results were achieved by using small circles. Lots of late hours (and coffee) later have resulted in a font that uses up to 20% less ink. Free to download, free to use.
The king thinks Hamlet's annoying.
Laertes thinks Ophelia can do better.
Hamlet's father is now a zombie.
- - - -
The king poked the queen.
The queen poked the king back.
Hamlet and the queen are no longer friends.
Marcellus is pretty sure something's rotten around here.
Hamlet became a fan of daggers.
If someone can become the Dolby of the web — remove the noise and give us clear sound — then they are going to make a lot of money. And when I say sound, I mean data that is truly useful. But that would just be the start.
...it was the kind of year in which circulation should have boomed. If you live for a story, this year was an embarrassment of riches.
And yet the decline didn’t just continue. It accelerated.
Between March and September the 500 biggest newspapers in America reported an average circulation decline of 4.6%. In six months. That’s close to a 10% decline per year. No newspapers showed any but fractional gains. It is therefore a near-certainty that many towns and cities in America will no longer have a newspaper after the down-turn. And that may apply not just to small names but to some big ones as well. The Los Angeles Times, for example, has gone from a circulation of 1.1m to 739,000 since the turn of the millennium. Its staff has been halved. Morale has never been lower.
"Good journalism does not come cheap. And, therefore, you're not going to find a lot of blogs or nonprofit Web sites that are going to build a Baghdad bureau."
He also noted that "there's a real shortage of the kind of information that I would call quality journalism."
So while the new media elite is throwing stones at the old media guard, taunting them with how great their blog audiences are and celebrating the imminent downfall of print media, they should stop to consider the glass house they might be living in. The technological disruption of media doesn’t end with Web 2.0, blogs, and new media. The train keeps moving. There’s always something else, and the pace of change is accelerating. It’s going to require adaptation not just from traditional media but from anyone who considers themself a publisher.
To do this, they [newspapers] have to practice innovation-by-omission. That is, they need to stop writing stories that don’t deserve to be written.
Newsrooms no longer have the luxury of wasting resources on non-stories...They no longer have the luxury, in an information-overload world, of wasting readers’ time with non-stories or information readers already know. Readers will simply go somewhere else.
Mark confirmed that Facebook was investigating the possibility of launching a music application.
To make a really good music application you have to have access to music. We felt that because we are operating at a much larger scale than any of the developers at this point, right now at least, we felt like we had a good chance of helping someone negotiate to get access to the music necessary to create a good music application. That is the theory as to why we were exploring this.