Shakespeare nudges DARPA and Al Gore out the way to invent digital modernity

Something like that.

Now Ms. Garber singles out a new aspect of Shakespeare’s versatility. As her latest title indicates, she is out to assert that “Shakespeare makes modern culture, and modern culture makes Shakespeare.” In true academic fashion Ms. Garber loves that kind of commutative construction, the chiasmus. Shakespeare loved this too, and Ms. Garber has the chiasmi to prove it, straight from the source. (“What’s Hecuba to him, or he to Hecuba?,” “Fair is foul and foul is fair,” etc.) She is happy to compound her book’s facile inversions by calling her method, at one point, “as much pedagogical as heuristic (and as much heuristic as pedagogical.)”

Janet Maslin in the NYT on Marjorie Garber's “Shakespeare and Modern Culture”.

Who is our Soul of the Age? AKA the Golden Triangle

From a review of Jonathan Bate's new Shakespeare book...

One could pleasurably read it as a collection of brief essays, in the freewheeling, interrogative sense of the word associated with the French philosopher Michel de Montaigne, whose Essais were translated into richly flavoured prose by John Florio in 1603, and whose name crops up frequently in these pages because of his demonstrable influence on Shakespeare.

One of the benefits of this approach is that it permits a cheerful agnosticism where a more linear narrative would require a decisive act of faith. There are the 'lost years', for instance, of Shakespeare's mid-twenties – a period of unknown activity between 1585 (when his twins Hamnet and Judith were baptised in Stratford) and 1592 (when he is first recorded as an actor and dramatist in London). Was he a 'schoolmaster in the country', or a lawyer's clerk, or a fugitive from justice after a poaching incident on the estates of Sir Thomas Lucy – all of which were canvassed by early biographers? Or was he that mysterious player called Shakeshaft who is documented in a Catholic household in Lancashire?

Charles Nicholl on Jonathan Bate's new Shakespeare, ah, non-fiction.


Review of Nicholl's The Lodger here.


Review of reviewer's Shakespeare by...Jonathan Bate....


All's well that ends well.